| The way of contemporary Chinese art by the United States the impact of | |
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he way of contemporary Chinese art by the United States the impact of China experienced a brief period of wandering following the gradual opening to the world, the economy and the rapid growth of overall national strength, the development of arts and culture brings more possibilities and the driving force. Since the last century into the 90's, Chinese artists and their work begins to come out of China, and soon took part in almost all of the international large-scale exhibitions. In particular, experienced a large number of the baptism of the New Wave movement of contemporary artists, most of them go directly to the concept of artistic creation, as with the West after the art of running, the gradually emerging international art arena. However, in recent years in the international art market in the blowing of a whirlwind of contemporary art in China, often at high prices to millions of dollars in the auction results, it seems that Chinese artists have been concerned about being hot at the same time, a little mind started to overheat. As just as the embryonic form of the Chinese art market, it is even more difficult to calm down. While earlier the tremendous financial impact of the tsunami, has let the fanaticism of the market fell from noisy winter low point. At this point, it was stated that Chinese contemporary art market is facing a re-shuffle. And wash in the end what is a license? Behind, the end of a busy, busy, or another start? I remember the artist Mao Yan
had mentioned during a visit to the status quo with the Chinese artists, he said: "The manner of contemporary Chinese art by the United States greater influence of the way,
that is the way star, popular culture, one-time consumption, and many artists release in the art will be 20% of energy, of course, if there is the bearing capacity of an
artist, then you can, like Andy Warhol, every day on TV. The problem is that you do not have the means, I think the best artists, art as a necessity, like breathing. "Mao
Yan also said that now most agree that the success of Chinese artists and the entry into force In fact, the rising "China fever", there has been much media attention of international authorities, including the United States, "Chicago Sun Times" some critics had pointed out that "these first-class works of art in the prices have gone up by two thousand times, rather than first-class works, 5 years ago, 10,000 U.S. dollars is an enviable price, now I am afraid that the opening of thousands of dollars on the other side does not see. " Prices soared in recent years, Chinese artists, who can be found in far too many examples. Thus, under the eyes of the people, a lot of new artist debut, the new gallery opened more, everyone wanted their own head then immediately able to grow a little "artistic talent", the good the money rolling into the "art district . " Critics say the current is not so-called "China's experience with the international situation," the macro problem, but a simple fact, that is to be carried away the minds of utilitarian Many Chinese artists seem to have forgotten what art is, but also forget the pursuit of art is to what? At the moment, in a somewhat confusing and vibrant multi-cultural situation which everybody is shouting, it is necessary to try to maintain and develop their own intellectual and aesthetic concept of thinking. As everyone knows, the artists in China "to" in line with international standards to look at cultural identity, but to determine the identity of a culture to the neglect of the fundamental conditions. "Heads held high," the Chinese artists, is also a time from their own body should be to look where the problem is the. 2009-07-16 |
